Tag Archives: Light artwork

Sensing WATER

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I-87/San Fernando Street, San Jose CA

paint, custom LEDs, Live weather data feed, interactive cell phone control

paint, custom LEDs, Live weather data feed, interactive cell phone control

Sensing WATER is a weather-responding and interactive artwork utilizing light and paint to define a major downtown gateway in San Jose CA. The project is composed of 2 elements, the massive painted sloped wall that abstractly references flowing water, and the overhead evening lighting that illuminates with rippling patterns of light the underpass of I-87. The project uses real-time NOAA weather data to compose different patterns of light on the ceiling. (e.g.: 0-5mph winds vs thunderstorms). The projected light maintains a similar palate to the painted sloped wall, yet becomes dynamic depending on the weather.

Sensing WATER is a weather-responding and interactive artwork utilizing light and paint to define a major downtown gateway in San Jose CA. The project is composed of 2 elements, the massive painted sloped wall that abstractly references flowing water, and the overhead evening lighting that illuminates with rippling patterns of light the underpass of I-87. The project uses real-time NOAA weather data to compose different patterns of light on the ceiling. (e.g.: 0-5mph winds vs thunderstorms). The projected light maintains a similar palate to the painted sloped wall, yet becomes dynamic depending on the weather.

In addition to the live weather feed transforming the space, this project is also highly interactive for those players of the Ingress multi-player game. By interacting physically on site with your cell phone, players can transform the space, revealing aspects of the game for a brief amount of time.

In addition to the live weather feed transforming the space, this project is also highly interactive for those players of the Ingress multi-player game. By interacting physically on site with your cell phone, players can transform the space, revealing aspects of the game for a brief amount of time.

The site for the work sits over the Guadalupe River. The inspiration for this piece began with the ever-present awareness of water issues in California. San Jose once was know as the Valley of Hearts Delight- before becoming the Heart of Silicon Valley. Known for its fruit orchards and fragrance of ripening fruit San Jose was supported by rich soil and abundant access to water. I was curious to link both the awareness of water issues to the new focus of the high tech industry through the use of dynamic illumination.

The site for the work sits over the Guadalupe River. The inspiration for this piece began with the ever-present awareness of water issues in California. San Jose once was know as the Valley of Hearts Delight- before becoming the Heart of Silicon Valley. Known for its orchards and fragrance of ripening fruit, San Jose was supported by rich soil and abundant access to water. I was curious to link both the awareness of water issues to the new focus of the high tech industry through the use of dynamic illumination.

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Special thanks to those folks who made this project happen: The City of San Jose, San Jose Downtown Association, Kiboworks, Affordable Painting Services, HC Reynolds, Swenson Say Faget, Niantic

 

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The Guadalupe River at this point is a culvertized river that is most often a “trickle” but fills with water during storm events.

Special thanks to those folks who made this project happen: The City of San Jose, San Jose Downtown Association, Kiboworks, Affordable Painting Services, HC Reynolds, Swenson Say Faget, Niantic

Not only do the lighting patterns change based on weather conditions, but they are dynamic- constantly pulsing and chasing, depending on severity of the weather.

Sensing YOU

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I-87/Santa Clara Street, San Jose CA

Paint, acrylic, LEDs, steel, sensors, control, cell phone interface

Paint, acrylic, LEDs, steel, sensors, control, cell phone interface

 

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Sensing YOU is an interactive artwork utilizing light and paint to define a major downtown gateway in San Jose CA. The installation is defined by over 1000 painted circles and 81 individually controlled illuminated rings that play a variety of patterns and low-resolution mapped video over the ceiling surface of the I-87 highway underpass. The patterns are activated by pedestrians and bicyclists moving through the space- setting off pre-programmed sequences.

Sensing YOU is an interactive artwork utilizing light and paint to define a major downtown gateway in San Jose CA. The installation is defined by over 1000 painted circles and 81 individually controlled illuminated rings that play a variety of patterns and low-resolution mapped video over the ceiling surface of the I-87 highway underpass. The patterns are activated by pedestrians and bicyclists moving through the space- setting off pre-programmed sequences.

In addition, we have partnered with Niantic Labs to allow users of the virtual real-world mobile game Ingress to temporarily take control of the space and making manifest in the artwork aspects of the game from their cell phones. Inspired by raindrops on water and the echoing patterns emitting from our cell phones, this artwork seeks to link technology and nature in this urban landscape sitting over the Guadalupe River- at the heart of Silicon Valley.

In addition, we have partnered with Niantic Labs to allow users of the virtual real-world mobile game Ingress to temporarily take control of the space and making manifest in the artwork aspects of the game from their cell phones. Inspired by raindrops on water and the echoing patterns emitting from our cell phones, this artwork seeks to link technology and nature in this urban landscape sitting over the Guadalupe River- at the heart of Silicon Valley.

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Special thanks to all the folks who made this possible: City of San Jose CA Office of Cultural Affairs, San Jose Downtown Association, Kiboworks, Affordable Painting Services, CH Reynolds, Tripp Plastics, Swenson Say Faget, Niantic Labs

 

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paint, acrylic, LEDs, steel, sensors, control, cell phone interface

Coherence

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Christian Petersen Art Museum, Ames, IA

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Lasers, playback hardware, mirrored floor, various filamentous materials ©2015

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Coherence, utilizes the special inherent quality of spatial coherence to create the illusion of infinite spaces and provides the magic that will illuminate one filament and not the one next to it. Exploiting this special and unique nature of lasers elevates this environment to more than just a science experiment by creating the appearance of internal illumination where there is none, motion where there is none and with the addition of a mirrored floor, produces a subtle perceptive disorientation while defining and marking space in infinite and mesmerizing ways.

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This exhibit utilizes 2 synchronized RGB lasers to project onto hundreds of suspended filaments creating an oceanic undulating immersive environment of light.

 

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I would like to recognize and give special thanks to the folks who helped contribute to this exhibition:

The Iowa State University Museums
Christopher Edrington
Christian Wehr
Mat Wymore
Dorothee Nygren,
Sydney Marshall
Natasha Porizkova,
Lynette and John Pohlman
Emily Morgan
Martin Blank
Trond Forre
and of course Nancy Gebhart

Shifting Topographies

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19th Street BART Station, Oakland, CA

High density foam, polyuria “hard coat”, chameleon paint, Glass, specialty dynamic projections.

High density foam, polyuria “hard coat”, chameleon paint, Glass, specialty dynamic projections.

 

Inspiration for Shifting Topographies began with the shifting patterns and colors of the rolling Oakland hills (green to gold) and at the macro scale the ripples of the adjacent San Francisco Bay (gray-blue-green). Other inspirations came from the flashy paint jobs in the car culture of this community and the signature Blue BART station for which the art marked the entrance.

Note the color shifting paint that radically changes depending on angle of the sun, position of viewer and time of day

Note the color shifting paint that radically changes depending on angle of the sun, position of viewer and time of day

 

The sculpture is fabricated from a high-density foam covered with a polyuria “hard coat” most often applied as “truck bed liners”. This super robust material is then painted with multiple layers of color shifting paint that dramatically changes color depending on sun angle and time of day.

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At one end of the station, laminated safety glass with blue and mirrored ribbons of topography disguise the emergency ventilation shafts- providing a sense of movement and visual expansion in a compressed space. The mirrored topography also provides a site context and juxtaposition of the urban Cartesian grid playing against the natural land forms.

moving projections animate the space after dark

At night the sculpture conjures the drama of the adjacent theaters, nightclubs and galleries- providing movement, color, pattern and excitement to this previously under-used alley entrance. The patterning of the projections includes interference patterns created by dueling topographic lines, atmospheric nebulae-like patterning and swirling water-influenced movement.

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Check out the video below to see the night moving projections:

 

Special thanks to all of our great project partners:

City of Oakland, Cultural Arts & Marketing Commissioning Agency
BART: Bay Area Rapid Transit (entrance to the 19th Street Oakland Station)
Martin Kaufman
Sasaki Associates landscape architects and design team partners
Heavy Industries fabricator
Atthowe Fine Art Services installation
Swenson Say Faget engineering
Visual Terrain lighting consultant
Jason Gedrose/ MVStaging programming
Greg Linhares additional photography

 

Gilbreths

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Valise Gallery,Vashon Island WA

Homage to Lillian & Frank Gilbreth
Fluorescent materials, steel, motors, autotransformers, theatrical filters. Variable dimensions. Valise Gallery, Vashon Island WA 2012,

These kinetic sculptures engage the air and our persistence of vision with tracings of light generated by multi-color fluorescent materials. Depending on speed and material length, the sculptures can create various “resonance patterns” producing different “standing wave” shapes.  Working in 1914, Lillian & Frank Gilbreth, were pioneers of light painting in the interest of studying “work simplification” for efficiency of parts assembly. Their early capturing of the form of moving light for their research inspired these sculptures that seek to give luminosity and sculptural form to air.

Homage to Heliopolis:
In ancient Egypt the city of Heliopolis (in Greek, or “iwnw” in Egyptian) was a famed center of healing. They created the first solariums that filtered light into the rooms through glass and colored silks, infusing the rooms with colored light.  This early “chromotherapy” was used to treat a variety of ailments and spiritual conditions. This updated project utilizing theatrical filters on the windows infuses the gallery with saturated indigo and creates a backdrop of color for the other projects while referencing this ancient temple and the healing practices that took place there. These theatrical filters change the frequency of daylight in order to  mimic UV “blacklight” thereby activating the florescent materials in the gallery.  Notice after being in the gallery for a while that upon leaving, the brain tricks the eye in an effect called “retinal fatigue” changing the color balance in your brain.  As you exit, it will briefly give the outdoor light a decidedly golden color (the opposite of the blue).

Special Thanks to: Artist Trust, Paul Strong, Steve Monsey, Julia Reeve and the members of Valise Gallery