Decay

Christian Petersen Art Museum, Ames, IA

phosporescent doped wall, laser system, control, programming and safety systems.

As if by magic, patterns are created then slowly fade before your eyes. A simple dark blue laser dot or line moves across the canvas creating a pattern revealed only as a fleeting after image- slowly fading as soon as it is created. It is the persistence of photonic decay that allows us to see that laser projections are merely dots of light moving so fast our eyes can not see them as individual dots, but rather blur them into complete shapes. Slowing down the laser allows us to see what and how we see.

As if by magic, patterns are created then slowly fade before your eyes. A simple dark blue laser dot or line moves across the canvas creating a pattern revealed only as a fleeting after image- slowly fading as soon as it is created. It is the persistence of photonic decay that allows us to see that laser projections are merely dots of light moving so fast our eyes can not see them as individual dots, but rather blur them into complete shapes. Slowing down the laser allows us to see what and how we see.

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Special thanks to Christopher Edrington, Roberta McHatton, Nancy Gebhhart, Lynette Pohlman and our project volunteers.

Shifting Topographies

19th Street BART Station, Oakland, CA

 High density foam,  polyuria “hard coat”, chameleon paint, Glass, specialty dynamic projections.

High density foam, polyuria “hard coat”, chameleon paint, Glass, specialty dynamic projections.

 

Inspiration for Shifting Topographies began with the shifting patterns and colors of the rolling Oakland hills (green to gold) and at the macro scale the ripples of the adjacent San Francisco Bay (gray-blue-green). Other inspirations came from the flashy paint jobs in the car culture of this community and the signature Blue BART station for which the art marked the entrance.

Note the color shifting paint that radically changes depending on angle of the sun, position of viewer and time of day

Note the color shifting paint that radically changes depending on angle of the sun, position of viewer and time of day

 

The sculpture is fabricated from a high-density foam covered with a polyuria “hard coat” most often applied as “truck bed liners”. This super robust material is then painted with multiple layers of color shifting paint that dramatically changes color depending on sun angle and time of day.

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At one end of the station, laminated safety glass with blue and mirrored ribbons of topography disguise the emergency ventilation shafts- providing a sense of movement and visual expansion in a compressed space. The mirrored topography also provides a site context and juxtaposition of the urban Cartesian grid playing against the natural land forms.

moving projections animate the space after dark

At night the sculpture conjures the drama of the adjacent theaters, nightclubs and galleries- providing movement, color, pattern and excitement to this previously under-used alley entrance. The patterning of the projections includes interference patterns created by dueling topographic lines, atmospheric nebulae-like patterning and swirling water-influenced movement.

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Check out the video below to see the night moving projections:

 

Special thanks to all of our great project partners:

City of Oakland, Cultural Arts & Marketing Commissioning Agency
BART: Bay Area Rapid Transit (entrance to the 19th Street Oakland Station)
Martin Kaufman
Sasaki Associates landscape architects and design team partners
Heavy Industries fabricator
Atthowe Fine Art Services installation
Swenson Say Faget engineering
Visual Terrain lighting consultant
Jason Gedrose/ MVStaging programming
Greg Linhares additional photography

 

Nepenthes Paisleyi

Edmonton, Alberta Canada

17'h x 4' x5.6'w. Fiberglass, steel, LED's Sensors, GFRC

17’h x 4′ x5.6’w. painted fiberglass, steel, LED’s, sensors, GFRC

 

The name of the pieces are “Nepenthes.” The name is derived from a Greek magical potion that would cause the drinker to be relieved from or induce forgetfulness of pain, grief, or sorrow. I hope these sculptures might provide a brief respite from a hectic daily life, transporting us briefly somewhere else. Paisleyi is the botanic latin version of Paisley, named after the founder of the Edmonton Fringe Festival- and name of the community wherein the sculptures are located.

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Nepenthes is also the name of a family of carnivorous plants. Beautiful, quirky, unusual, weird. The fascinating tropical pitcher plants, or “monkey cups,” collect water in their leaf vases. The plant water has an enzyme in it that helps dissolve insects (and sometimes small animals) that find their way into the cups, providing fertilizer for the plants that normally live in infertile locations. The shapes of the sculptures are inspired by the shape of a variety of Nepenthes and celebrates the wonderful diversity of Paisley’s colourful neighborhood.

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Monochromatic by daytime, this family of sculptures take on a completely different character at night with the addition of dynamic LED programming.

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There are a number of randomly occurring lighting programs that provide very slow changes throughout the evening. It is designed so that people driving by will not see the changes in patterns, yet if they drive by 10 minutes later they will see a different aspect to the project. When people enter the sculpture, integrated sensors pick up the motion and trigger a series of much more animated sequences.

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The molds for these sculptures were originally developed for the Nepenthes Davis Street Project for TRIMET/City of Portland, Oregon. The Regional Arts and Culture Council has kindly provided permission for a re-envisioning of the original project for the Brookfield Residential neighborhood of Paisley in Edmonton. You can see the original project here: Nepenthes

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Special thanks to all of our great project partners:
Brookfield Residential,  Edmonton (funder and site work)
Heavy Industries (fabrication)
PMCS (LED engineering, and programming)

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video of some of the dynamic LED sequences

Azul Healing Garden

MLK Hospital, Los Angeles CA

The Azul Healing Garden at the MLK Hospital in Los Angeles was conceived as a calming central courtyard in a stressful and arid urban environment. The space is anchored by 33 tons of blue glass mulch, plants with blue colored leaves, and twinkling blue lights in the walkway and planting beds. Rather than just using plants that have historically been used to heal, I was interested in creating a space that could help induce calmness and creativity by utilizing the basic tenants chromotherapy and infusing the courtyard with azul.

The Azul Healing Garden at the MLK Hospital in Los Angeles was conceived as a calming central courtyard in a stressful and arid urban environment. The space is anchored by 33 tons of blue glass mulch, plants with blue colored leaves, and twinkling solar blue lights in the walkway and planting beds.
Rather than just using plants that have historically been used to heal, I was interested in creating a space that could help induce calmness and creativity by utilizing the basic tenants chromotherapy and infusing the courtyard with azul.

The color blue is a calming color that has been shown to reduce blood pressure as well as calm breathing and heart-rate. It stimulates the parasympathetic system and has anti-inflammatory and muscle relaxing effects. It can be used to assist in relaxation and fights physical and mental tension.  A blue environment has been demonstrated to make us more responsive to new ideas and increase creativity.  When people relax, they become more open to new ideas and can develop creative solutions to problems.

The color blue is a calming color that has been shown to reduce blood pressure as well as calm breathing and heart-rate. It stimulates the parasympathetic system and has anti-inflammatory and muscle relaxing effects. It can be used to assist in relaxation and fights physical and mental tension. A blue environment has been demonstrated to make us more responsive to new ideas and increase creativity. When people relax, they become more open to new ideas and can develop creative solutions to problems.

The tall plant on the right is the Dragon Blood Tree.  When the bark or leaves are cut they secrete a reddish resin called "Dragon's Blood" that is used to stain the wood of the Stradivarius violins.  It also has a number of traditional medical uses and was used by the alchemists.

The tall plant on the right is the Dragon Blood Tree. When the bark or leaves are cut they secrete a reddish resin called “Dragon’s Blood” that is used to stain the wood of the Stradivarius violins. It also has a number of traditional medical uses and was used by the alchemists.

All of the plant material in the garden has "blue" or blue-gray colored leaves.

All of the plant material in the garden has “blue” or blue-gray colored leaves.

Historic uses of Chromotherapy – Colour Therapy dates back thousands of years and to the ancient cultures of Egypt, China and India. Each color has a distinguishing wavelength and energy. The energy of each of the seven spectrum colors (red, orange, yellow, green, blue, indigo and violet) corresponds with the seven energy centers or chakras of the body. Color therapy can provide balance among all of the energies in our bodies. Color can help humans on a physical, psychological and spiritual level. Historically, the ancient Egyptians built solarium rooms with various colors of glass and other cultures used silks of different colors to bath their bodies in various shades of light. The ancient Egyptian temple of Heliopolis had a quartz crystal in the dome that split sunlight into the seven colors of the spectrum each of which filled a healing chamber. Each chamber was a place for people to receive color healing and contained herbs and colored materials. In his text “The Canon of Medicine,” Acivenna wrote about the relation of color to physical conditions of the body and viewed blue as a blood cooler. In the states, in 1876 Augustus Pleasconton wrote, “The Influence of the Blue Ray of the Sunlight and of the Blue Color of the Sky,” in which he discusses the positive influence blue can have in crop growth, livestock and human health. A few years later, in 1878, chromotherapy, the use of stained class and colored lights for healing, is suggested for the healing of burns, nervous excitability and cold in the extremities by Dr. Edwin D. Babbitt. Today, color is still used for healing. Natural therapists are using chromotherapy and successes have been reported in the recovery of stroke victims and other patients with chronic depression.

Historic uses of Chromotherapy 
Colour Therapy dates back thousands of years and to the ancient cultures of Egypt, China and India. Each color has a distinguishing wavelength and energy. The energy of each of the seven spectrum colors (red, orange, yellow, green, blue, indigo and violet) corresponds with the seven energy centers or chakras of the body. Color therapy can provide balance among all of the energies in our bodies. Color can help humans on a physical, psychological and spiritual level.
Historically, the ancient Egyptians built solarium rooms with various colors of glass and other cultures used silks of different colors to bath their bodies in various shades of light. The ancient Egyptian temple of Heliopolis had a quartz crystal in the dome that split sunlight into the seven colors of the spectrum each of which filled a healing chamber. Each chamber was a place for people to receive color healing and contained herbs and colored materials. In his text “The Canon of Medicine,” Acivenna wrote about the relation of color to physical conditions of the body and viewed blue as a blood cooler. In the states, in 1876 Augustus Pleasconton wrote, “The Influence of the Blue Ray of the Sunlight and of the Blue Color of the Sky,” in which he discusses the positive influence blue can have in crop growth, livestock and human health. A few years later, in 1878, chromotherapy, the use of stained class and colored lights for healing, is suggested for the healing of burns, nervous excitability and cold in the extremities by Dr. Edwin D. Babbitt. Today, color is still used for healing. Natural therapists are using chromotherapy and successes have been reported in the recovery of stroke victims and other patients with chronic depression.


The color BLUE is a calming color that has been shown to reduce blood pressure as well as calm both breathing and heart-rate. It stimulates the parasympathetic system and has anti-inflammatory and muscle relaxing effects. It is linked to the throat and thyroid gland. It can be used to assist in relaxation and fights both physical and mental tension. Blue can also make us more responsive to new ideas and increase creativity. A study at the University of British Columbia, in which participants conducted various tasks on a computer screen with red or blue backgrounds, concluded that blue encourages motivation, “people relax, becoming more open to new ideas and creative solutions to problems.” Blue can also increase confidence and make people feel happier. General exposure to color is beneficial as well. In a study at the Mind Lab, “subjects exposed to colours completed mental tests up to 25 per cent quicker. Reaction times were up to 12 per cent faster, while hand-eye co-ordination and the ability to recall a list of words were also found to be improved.” Color affects the body, brain activity and biorhythms and as a result is being used in the treatment of diseases. In Ayurvedic medicine, blue is identified with the fifth chakra, it is located in the throat and associated with the throat, ears, mouth and hands. Its alleged function is physical and spiritual communication. 
 
Positive Effects of the Color Blue-
-Blue is used in offices because people are more productive and focused in blue rooms
-Blue can lower the pulse rate and body temperature
-Blue calls to mind feelings of calmness and serenity, it is peaceful, tranquil, secure and orderly
-Historically blue was believed to soothe illnesses and treat pain
-It has a cooling and soothing effect
-Blue has positive physiological effects including lower blood pressure, and reducing tension
-Deep blue has proven to help the skeletal structure by keeping bone marrow healthy and it stimulates the pituitary gland that regulates sleep patterns.
 
 
FURTHER READING-
“Color has a powerful effect on behavior, reseachers assert” Lindsey Gruson, The New York Times Science Section, Oct. 19, 1982. http://www.nytimes.com/1982/10/19/science/color-has-a-powerful-effect-on-behavior-researchers-assert.html?&pagewanted=all
This article looks at a study on behaviors of people, particularly children in different colored spaces and looks at how color can influence behavior and work methods. Blue and gray spaces have a tendency to increase focus and productivity.“A Critical Analysis of Chromotherapy and Its Scientific Evolution” Samina T. Yousuf Azeemi and S. Mohsin Raza Department of Physics, University of Balochisan, Quetta, Pakistan, Sept 2005. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1297510/
This paper analyzes the historic practices and scientific principles of chromotherapy and looks at the relationship between the human body and colors.
“A mammalian clock protein responds directly to light” Josh Hill, July 2, 2008. “Think Gene” Blog. http://www.thinkgene.com/a-mammalian-clock-protein-responds-directly-to-light/
This paper by Nathalie Hoang et al. examines cryptochromes in flies, humans and mice. In plants, cryptochromes absorb and process blue light and aid in growth and seed development. The exposure to blue light also reduces flavin pigments and this reduction promotes growth by activating the cryptochromes. In humans the crypotchromes are present and regulate the circadian clock, Hoang found that flavins decrease in humans in response to blue light too.
“Blue Light makes you happy” Jon Swaine, January, 6, 2009. The Telegraph http://www.telegraph.co.uk/technology/4139796/Blue-light-makes-you-happy.html
A study conducted by The Mind Lab finds that exposure to light is generally beneficial and certain colors, including blue improve mood and confidence levels in men and women.
Naess, Inger. Colour Energy. 2004.http://www.natures-energies.com/color1.htm
Hamilton, Jon. “NPR Stories.” 6 February 2009. NPR. 9 December 2011 .
Swaine, Jon. “Blue light ‘makes you happy’.” The Telegraph 6 January 2009: 20. 

 

Special thanks to the project team LA County Arts Commission MLK Renovation team, County of Los Angeles RBB Architects Inc AHBE Landscape Architects Hensel Phelps, (GC) and associated subcontractors

Special thanks to the project team
LA County Arts Commission
MLK Renovation team, County of Los Angeles
RBB Architects Inc
AHBE Landscape Architects
Hensel Phelps, (GC) and associated subcontractors

Sonic Bloom

Seattle Center, Seattle WA

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SONIC BLOOM, 2013, Pacific Science Center, Seattle Center, Seattle WA.
Commissioned by the Pacific Science Center and Seattle City Light’s Green Up Program.
5 flowers: 20’ diameter and up to 40’ tall. Steel, fiberglass, custom photo voltaic cells, LEDs, sensors, interactive sound system and energy data monitoring.

At the foot of Seattle’s Space Needle and a defining entry sculpture to the Pacific Science Center. The project was conceived as a dynamic and educational focal piece that would extend the Science Center’s education outside of their buildings while engaging the public with an iconic artwork prompting curiosity and interactivity both during the day and night.

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The title Sonic Bloom refers not only to our defining location “on the Puget Sound” but also to the artwork itself that sings as the public approaches each flower. Every flower has its own distinctive series of harmonic notes simulating a singing chorus. A hidden sensor located in each flower identifies movement and triggers the sound. So if there are 5 people engaging the flowers together, it is possible to compose and conduct music together or by walking through, randomly set off a harmonic sequence.

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photo © Frank Huster

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Installation crew prepares to lift one of the flower centers onto its stalk. Note the array of custom photo voltaic cells and arching “stamen lighting”

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Special thanks to all our great Project Partners:
Mike Nelson
Metalistics
Galaxy Electric &Solar
Steve Monsey
Paul Strong
Swenson Say Faget
Kiboworks
Bulldog Powdercoating
NW Auto Body
Puget Sound Coatings
Sunbacker Fiberglass
Silicon Energy
DMI Drilling
Van Overbeke Const.
Ace Galvanizing
Sound Deliveries
Enphase Energy
Kelly Early
Brickman Landscape
Frank Huster

 

 

Nepenthes

Portland, OR

Fiberglass, steel, LEDs, acrylic, steel, paint, batteries, electronics.

16.5′ h x 4′ x 5.6’w   Fiberglass, steel, photovoltaic panels, LEDs, acrylic, GFRC, steel, paint, batteries, electronics.

 

The name of the pieces are “Nepenthes.” The name is derived from a Greek magical potion that would cause the drinker to be relieved from or induce forgetfulness of pain, grief, or sorrow. I hope these sculptures might provide a brief respite from a hectic daily life, transporting us briefly somewhere else.

Nepenthes is also the name of a family of Carnivorous plants. Beautiful, quirky, unusual, weird (not unlike Portlandians). They are the weird tropical pitcher plants or "monkey cups" that collect water in their leaf vases that sometimes monkeys drink from. The water has an enzyme in them that helps dissolve insects (and sometimes small animals) that find their way into the cups providing fertilizer for the plants that normally live in infertile locations. The shapes of the sculptures are inspired by the shape of a Nepenthes.

Nepenthes is also the name of a family of Carnivorous plants. Beautiful, quirky, unusual, weird (not unlike Portlandians). They are the fascinating tropical pitcher plants or “monkey cups” that collect water in their leaf vases that sometimes monkeys drink from. The water has an enzyme in them that helps dissolve insects (and sometimes small animals) that find their way into the cups providing fertilizer for the plants that normally live in infertile locations. The shapes of the sculptures are inspired by the shape of a variety of Nepenthes and celebrates the wonderful diversity and quirkiness of this colorful neighborhood.

 

Each sculpture contains solar cells and batteries that take in energy in the daytime and allow them to glow after dark. The time on changes with the season….about an hour after sundown. They stay on for 4 hours after they turn on.

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The project was funded by TRIMET and was administrated by the Regional Arts and Culture Council of Portland (RACC). The project began with construction funds that were originally allocated towards stamped concrete in the center of 4 blocks. The community requested the funds be used for “Markers” to connect China Town to the Park Blocks (and possibly the Pearl District) along Davis Street- highlighting the street as a vibrant walking corridor and connector. The “Markers” project took a few twists and turns and ultimately became these glowing sculptures.

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Construction Photo: Looking inside the the center of the teal sculpture

Construction Photo: Looking inside the the center of the teal sculpture

Thanks to all our great Project Partners: Regional Arts and Culture Council(administration / project management) TRIMET (funding source) Heavy Industries (fabrication) PMCS (PV/LED Engineering and Design) Swenson Say Faget (Structural Engineering) Art and Design Works (Installation) John Russel (Concrete work)

Thanks to all our great Project Partners:
Regional Arts and Culture Council (administration / project management)
TRIMET (funding source)
Heavy Industries (fabrication)
PMCS (PV/LED Engineering and Design)
Swenson Say Faget (Structural Engineering)
Art and Design Works (Installation)
John Russel (Concrete work)

Rays

Rivers Edge Park, Council Bluffs Iowa

Riverfront Park, Council Bluffs Iowa, 2013. Lawn, robotic lighting fixtures, dynamic pattern projectors, Infra red camera, doplar radar sensors, custom interactive software and hardware

Lawn, robotic lighting fixtures, dynamic pattern projectors, Infrared camera, doplar radar sensors, custom interactive software and hardware.

 

Originally inspired by the great European baroque knot gardens, this massive 5-acre Great Lawn is the canvas for a giant ever-changing light environment that echoes patterns of the past and updates them for the future. Utilizing powerful dynamic and robotic lighting fixtures, the lawn is activated every half hour after dark.
Within each sequence, there is a “show” mode and an “interactive” mode. Please see below for more details.

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Some of the light patterns are inspired by slowly spinning “ice flows” as they break up and rotate while move down the river.

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A dance of rotating white lines breaks up the lawn in geometric patterning inspired by 18th century French formal gardens.

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Each pattern is dynamic: slowly spinning, zooming in or out and changing sharpness and color

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Chasing rainbow colors for a few seconds indicates it is time for the “interactive” part of the event. Come onto the lawn and the lights will play with you.

 

In addition to the choreographed sequences, there is a complex interactive lighting component to the project that will track and “play” with people through a series of simple intuitive games as part of every “event”. Tracked by infra-red cameras and radar detectors, the locations and gestures of the people on the lawn in front of the stadium seating will control the lighting in some instances, and in others it will track them similar to follow spots at an ice skating event.

INTERACTIVE  COMPONENTS
1. SENSING: When the general illumination park lights are on, radar detectors sense motion in the corners of the park and direct the robotic fixtures into those areas projecting individually selected spinning patterns.
2. GAMES: The field covered by a chasing rainbow of colors indicates it is time for the beginning of the interactive game section. Each half hour “show” has 2 randomly selected games that play for 3 or 6 minutes.

Each half hour event plays 2 randomly selected games:

The games are:
a. Stealing Dorothy Hamill’s Spotlight: 4 robotic lights randomly select one person to follow in on the field. The game is to figure out how to trick the robot and steal the spotlight from the person selected.
b. Hot-Cold: a blue spotlight is turned on in the field. As people move towards the spotlight the closest person to the spotlight is tracked and their position changes the color of the spotlight- changing the color from blue through all the different colors until it turns red when you jump onto the spotlight. Once you are on it, the “prize” is flashing the entire lawn through a series of colors before throwing the spotlight into another random location and starting again.
c. Cat Laser Pointer: a small green spot intelligently dances and doges the people who attempt to catch it.
d. Yellow Spot Blue Spot: out of all the people on the lawn, the computer selects random 2 people giving each a different colored spotlight. Can you trick the computer into switching followspot colors as it follows you around the field?

Easter Eggs: the name originates from secret animations and videos incorporated into software that are only revealed if you know the secret keystrokes. Our “Easter Eggs” are a series of gestures that will set off some brief visual “prizes” during the interactive game sequence times for “people in the know”.
a. Jump: if more than 55% of the people on the active lawn area jump up and down together then it will cause all the lights in the field to blink on and off like people jumping.
b. Flash Mob: if more than 55% of the people on the active lawn run in and huddle then break out- it will cause all the lights on the lawn to “go crazy” and swirl around for a few seconds.
c. Run for the River: if there more than 55% of the people on the active lawn begin at the curving sidewalk and at one time run towards the river, the whole lawn will ripple in colors of blue, white and teal.

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Robotic Searchlights play “Steal Dorothy Hamill’s Spotlight” with park users during an “Interactive Sequence”.

 

Robotic Searchlights play "Steal Dorothy Hamill's Spotlight" with park users.

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4 people playing Yellow Spot- Blue Spot

 

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Stadium seating as well as the great lawn become a dynamic projection surface for the robotic lighting fixtures

 

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Swirling patterns originate on the Great Lawn but also sometimes get projected across the Missouri River onto Omaha’s convention center.

 

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photo © John Jenkinson

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photo © John Jenkinson

Special thanks to our great project team:

Lisa Passamonte Green, Mike Mahlum Visual Terrain
Chris Barbee, John Jenkinson Bandit Lites
David Beaudry Beaudry Interactive
Brad Haynes (programming)
Greg Jones Martin Entertainment
Gina Ford, Susannah Ross Sasaki Landscape Architecture
Brian Yessian Yessian (music for opening event and video)
Rich Sorich Iowa West Foundation (commissioning agency)
Larry Foster (City of Council Bluffs)